Shure orporated P9TC Non-Broadcast Base Station Transmitter User Manual Exhibit D Users Manual per 2 1033 c3

Shure Incorporated Non-Broadcast Base Station Transmitter Exhibit D Users Manual per 2 1033 c3

Exhibit D Users Manual per 2 1033 c3

PSM®900>>SE425 >>P9R >>P9TPat. 6597301;Pat. App. Pendinglevel L R menu sync volume powerCLIPsyncPat. 6597301;Pat. App. Pendinglevel L R menu sync volume powerCLIPsync© 2010 Shure Incorporated Printed in U.S.A.27A12695 (Rev. 1) Personal Monitor System User Guide
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iiiWARNING!USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSEPERMANENT HEARING DAMAGE. USE AS LOW A VOLUME AS POSSIBLE.In order to use this system safely, avoid prolonged listening at excessive sound pressure levels. Please use the fol-lowing guidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure to sound pressure levels before hearing damage occurs.90 dB SPL at 8 hours95 dB SPL at 4 hours100 dB SPL at 2 hours105 dB SPL at 1 hour110 dB SPL at 1/2 hour115 dB SPL at 15 minutes120 dB SPL — avoid or hearing damage may occurIt is difcult to measure the exact Sound Pressure Levels (SPL) present at the eardrum in live applications. In addition to the volume setting on the PSM, the SPL in the ear is affected by ambient sound from oor wedges or other devices. The isolation provided by the t of quality earphones is also an important factor in determining the SPL in the ear.Here are some general tips to follow in the use of this product to protect your ears from damage:1. Turn up the volume control only far enough to hear properly.2. Ringing in the ears may indicate that the gain levels are too high. Try lowering the gain levels.3. Have your ears checked by an audiologist on a regular basis. If you experience wax buildup in your ears, stop using the sys-tem until an audiologist has examined your ears.4. Wipe the earphones with an antiseptic before and after use to avoid infections. Stop using the earphones if they are causing great discomfort or infection.This symbol indicates important operating and maintenance instructions in the literature accompanying this unit.ENGLISH
Superb audio quality• Digital stereo encoder provides a wider stereo field with exceptional separation, enhancing audio detail and clarity• Patented Audio Reference Companding sounds more like wired• Available with Shure SE425 Sound Isolating™ Earphones featuring dual high-definition MicroDrivers for accurate and balanced audio responseRobust RF Performance• Precision front-end RF filtering for a cleaner, stronger RF signal and fewer dropouts and audible artifacts.• Exceptional transmitter linearity vastly reduces frequency intermodulation, allowing more channels per frequency band.• Automatic RF gain control prevents signal distortion due to RF overload.Advanced Setup and Operation• Patent-pending CueMode allows monitoring of the stage mixes of up to 20 separate transmitters from one bodypack. • Front panel RF mute switch for disabling RF transmission during setup• Scan and Sync setup identifies the best group and channel for your system and assigns it over a wireless IR link• MixMode® Technology allows the bodypack user to adjust their own onstage monitor mix• High-frequency EQ boost on bodypackPSM900The PSM 900 Wireless Personal Monitor System from Shure of-fers an unprecedented combination of superb audio quality, robust RF performance, and category-leading setup features for the most demanding professional applications. All new, patent-pending CueMode allows the sound engineer to monitor different stage mixes with the touch of a button. Precision front-end RF filtering signifi-cantly reduces dropouts from RF interference, and the enhanced digital stereo encoder provides excellent stereo separation and audio clarity.
2Frequency ScanThe scan feature analyzes the RF environment for interference to identify available frequencies. The PSM900 has two frequency scan modes:• Channel Scan Press the scan button on the bodypack. Finds the first available channel.• Group Scan Press and hold the scan button for two seconds. Finds the group with the greatest number of available channels. (Each group contains a set of frequencies that are compatible when operating multiple systems in the same environment.)SyncThe PSM900 transfers settings in either direction: from the bodypack to the rack unit, or from the rack unit to the bodypack. • Sending settings to the bodypack: Align the IR windows and press the sync button on the rack unit. The blue LED on the bodypack flashes.• Downloading settings from the bodypack: First press the scan button on the bodypack. Then align the IR windows and press the sync button on the rack unit while the bodypack display is flashing “SYNC NOW...”. The level LEDs flash on the rack unit.MixModeSome performers need to hear more of their own voice or instrument, while others want to hear more of the band. With MixMode, the performer creates their own mix using the balance control (▼▲buttons)onthebodypack.To use MixMode, send a solo mix of the perform-er to the CH. 1 IN input on the transmitter, and send a band mix to the CH. 2 IN input. Set the performers bodypack for MixMode. The bodypack combines the two signals and sends them to both earphones, while the balance control on the bodypack adjusts the relative levels for each. LOOP ApplicationsUse LOOP OUT L (left) and R (right) outputs to send a copy of the audio signal going into the transmit-ter to other devices. Following are a few of the many applications for these outputs.Note: The input level control and the input pad do not affect the LOOP OUT signals.Stereo for Multiple SystemsSend one stereo signal from the mixing console the inputs on the first transmitter, then connect the LOOP outputs to the inputs on the next transmit-ter. Repeat for all transmitters to form a chain.Floor MonitorsSend the audio from the LOOP outputs to onstage loudspeakers. The bodypack and the onstage monitors receive the same audio signals.Recording DevicesTo record a performance, connect the LOOP out-puts to the inputs of a recording device.CueModeCueMode allows you to upload the name and fre-quency settings from multiple rack units and store them as a list on a single bodypack. You can then, at any time, scroll through that list to hear the audio mix from each transmitter, just as each performer does during a show. CueMode lists are retained even if CueMode is exited, the bodypack is turned off, or batteries are removed.Components• Rack unit with mounting hardware and detachable antenna.• Bodypack with detachable antenna.FULL RACK MOUNT HARDWAREUA507 1/2 RACK MOUNT HARDWAREUA506 FeaturesPat. 6597301;Pat. App. Pendinglevel L R menu sync volume powerCLIPsyncPat. 6597301;Pat. App. Pendinglevel L R menu sync volume powerCLIPsync
3Front Panel Controls① Input Level Control and Display Usethe▼▲buttonstoadjusttheaudio so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. The red clip LED indicates the inputs are overdriven. Reduce the level at the audio source or change the input sensitivity of the rack unit from the AUDIO>INPUT menu.② Status Display and Menu Controls Use the enter and exit buttons and the menu wheel to access the configuration menu. Push the menu wheel to move the cursor to the next item. Turn the menu wheel to change a parameter—the enter button flashes. Press it to save the value. Press the exit button to cancel changes and return to the previous menu.③ Synchronization Button Press the sync button while rack unit and bodypack IR windows are aligned to transfer settings.④ Headphone Monitoring The volume control adjusts signal output to the 3.5 mm headphone jack. NOTE: it does not affect rear panel outputs.⑤ RF switch mutes RF output. For setting up multiple systems or adjusting settings without transmitting unwanted RF or audio signals. ⑥ Power Button Turns the unit on and off.Rear Panel Connectors⑦ Power Connect the transmitter to a power outlet using the supplied power adapter.⑧ LOOP OUTSends a copy of the audio signal going into the transmitter to another device. See LOOP Applications.⑨ Audio Inputs Connect to balanced or unbalanced outputs. Use either connector for mono input. Accepts both 1/4-inch or male XLR connectors.⑩ Antenna (BNC) Attach supplied antenna. If you are rack mounting, use a front panel or remote mounting kit from Shure.Bodypack Receiver① Power Switch and Volume Control Turns the bodypack on and off and adjusts earphone volume.② 3.5 mm Earphone Jack Insert earphones here.③ Scan Button Press the scan button to find an available frequency. Press and hold for two seconds to find the group with the most available channels.④ IR Window For transmitting settings between bodypack and rack unit.⑤ Battery Compartment Requires 2 AA batteries. Open by pressing the latches on both sides and pulling.⑥ Menu buttons Useinconjunctionwiththe▼▲buttonstoaccesstheconfiguration menus.⑦ ▼▲ Buttons Use to adjust the audio mix (in MixMode only), or in conjunction with the menu buttons to change settings. ⑧ LCD Screen Displays current settings and menus.⑨ Tri-Color Battery LED illuminates green, orange, red, or flashing red, to indicate battery power. When flashing red, change batteries immediately.⑩ Blue RF LED Indicates the bodypack is receiving a signal from the transmitter.⑪ Detachable Antenna SMA ConnectorP9TLEFT/CH. 1 INDC INPUT RIGHT/CH. 2 IN ANTENNALOOP OUT R L www.shur e.comPSM 900 Transmitter14-18V 550mAPSM 900 Transmitter P 9TRL cliplevel volumemenu sync power L6E 656-692 MHzenterexitsyncBattery Indicator Tri-Color Battery LED Approximate Hours Remain-ingAlkaline NiMH (2450 mAh)Green 5–7 4Green 3½–4 3–3½Green 3–3½ 1½–2Green 2–2½ ⅕Orange ½–1 0Red ⅕–½ 0Controls and ConnectorsP9RP9T
4Multiple System SetupWhen setting up multiple systems, designate a single bodypack to scan for available frequencies and download them to all the rack units. The bodypack must be from the same frequency band as all the transmitters. 1. Power on all the rack units. Turn off the RF. (This prevents them from interfering with the frequency scan.) Note: Turn on all other wireless or digital de-vices as they would be during the performance or presentation (so the scan will detect and avoid any interferance they generate).2. Use the bodypack to scan for a group by pressing and holding the scan button for two seconds. The bodypack displays the group and the number of available channels, and flashes SYNC NOW.... Important: Note the number of available channels. If you have more rack units than available channels, eliminate potential sources of interference and try again, or call Shure Applications for assistance.3. Sync the bodypack with the first rack unit by aligning the IR windows and pressing sync.4. Press scan again on the bodypack to find the next available frequency. 5. Sync the bodypack with the next rack unit. 6. Repeat with all the rack units.7. Sync each performer’s bodypack to its respec-tive rack unit by aligning the IR windows and pressing snyc. DO NOT press scan on the bodypacks.8. Turn on the RF on all rack units. The systems are ready to use.Scan and Sync1. Press the scan button. The display flashes SYNC NOW.... 2. Align the IR windows on the bodypack and rack unit and press the sync button. The rack unit level LEDs flash, and it displays SYNC SUCCESS.3. Turn the RF switch on. The blue RF LED il-luminates on the bodypack to indicate that it is detecting the transmitter. The bodypack also displays the RF signal strength (RF).4. IMPORTANT: Turn bodypack volume down before plugging in earphones.5. Insert the earphones and slowly turn up the volume.Rack Unit1. Connect to a power outlet using the supplied power adapter.2. Attach the supplied antenna to the ANTENNA OUT BNC connector.3. Connect the audio source, such as the output of a mixer, to the audio inputs. You can use both input jacks or choose either one for a mono source. – For mono (one input), access the AUDIO menu and select MONO. – Set the input sensitivity to match the source by selecting AUDIO>INPUT from the LCD con-figuration menu: AUX –10dBV or LINE+4dBu.4. Turn the power ON. Make sure the RF switch is OFF.5. Adjust the audio source level so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. – If the red clip LED illuminates, the inputs are overdriven.Decreasethelevelusingthe▼▲buttons or change the input sensitivity to –10 dBV. – If the signal level is too low, change the input sensitivity to +4dBu.BodypackInsert batteries and attach antenna. Turn on using the volume knob. The battery light illuminates.Quickstart InstructionsAuditioning Mixes1. Enter CueMode from the UTILITIES menu.2. Usethe▼▲buttonstoscrollthroughyourCueMode list to hear the mixes.Exiting CueModeExit CueMode by pressing enter and selecting EXIT CUEMODE.CueModeManaging CueMode MixesWhile in Cue Mode, you can access the following menu by pressing enter: REPLACE MIX Select and press sync on a rack unit to upload new data for the current mix (for example, if you have changed the transmitter frequency).DELETE MIX Removes the selected mix.DELETE ALL Removes all mixes.EXIT CUEMODE Exits CueMode and returns the bodypack to the previous frequency setting.MixMode for Multiple SystemsConfigure each system for MixMode. From the mixing console, send a mix of the whole band to input 2 of the first transmitter. Connect the LOOP OUT R output to the CH. 2 IN input of the next transmitter. Continue the chain with all the transmitters.Next, create solo mixes for each performer. Send each mix to input 1 of the transmitter for that performer.Adding Transmitters to the CueMode ListNote: The transmitter must be from the same fre-quency band as the bodypack.1. Open the battery door and press the enter button.2. From the main menu, scroll to UTILITIES and press enter. Select CueMode and press enter again. 3. Align IR windows and press sync on the rack unit. The LCD displays SYNC SUCESS after fre-quency and name data are uploaded to the CueMode list. It also displays the CueMode number for that transmitter and the total num-ber of transmitters.4. Repeat the above step for each transmitter.Note: Syncing while in CueMode does not change any of the settings on the bodypack.Note: Set the channel frequency and assign dis-play names for each transmitter before creating your CueMode list.
5Configuration MenuPress enter to access settings. After adjusting a setting, press enter to accept the change.Note: Configuration menu items may vary with regional model variations.P9T Rack Unit TransmitterRF SettingsRADIOGSets the group numberCH Sets the channel number888.888MHz Manual frequency selectionRF POWER Select from 10, 50, or 100 mW (varies by region)Audio SettingsAUDIOMODE Selects monitor modeSTEREO/MX Transmits both channelsMONO Transmits a mono signal to bodypackINPUT Sets nominal input levelLINE +4 dBu line levelAUX –10dBV aux levelUtilities and Display SettingsUTILITIESEDIT NAME Changes the name on the LCD display (this name is uploaded to the bodypack with sync)DISPLAY Changes the display formatCONTRAST Changes the display contrastLOCK PANEL Press enter to lock the front panel controls. To un-lock, press exit, select OFF, and press enter.RX SETUP These settings are sent to the bodypack during a sync (when the sync direction is from the transmit-ter). The default KEEP parameter will not change the bodypack settings.LOCK Lock bodypackV LIMIT Volume limiterLIM VAL Volume limiter valueMODE Stereo (ST) or MixMode (MX)BAL MX CH. 1 (L) and CH. 2 (R) mix for MixModeBAL ST Left (L) and right (R) balance for stereo modeHIBOOST high frequency boostCUSTOM GROUP For creating custom frequency groupsP9R Bodypack ReceiverRF SettingsRADIOGSets the group numberCH Sets the channel number888.888MHz Manual frequency selectionUtilities and Display SettingsUTILITIESCUEMODE Enters CueMode (to exit, press enter and select EXIT CUEMODE) DISPLAY Changes the dis-play formatCONTRAST Changes the dis-play contrastLOCK PANEL Locks all controls except power and volume. To unlock, press exit, select OFF, and press enter.Audio SettingsAUDIOMODE Selects monitor modeSTEREO StereoMIXMODE MixModeHIBOOST High-frequency EQ boostOFF flat6 dB +6 dB @ 10 kHz3 dB +3 dB @ 6 kHzV LIMITON Limits volume levelVALUE 5–9: analogous to volume knob position (for example, 5 is equal to the 5th dot on the volume knob)BAL ST / BAL MX Left and right balance for earphones when in stereo mode, or mix of left and right channel for MixMode
6SPECIFICATIONSRF Output Powerselectable: 10, 50, 100 mW (+20 dBm)varies by regionAntenna Input Impedance50Ω(typical)Net Weight850 gDimensions197 mm X 166 mm X 42 mmPower Requirement (RF on, 100 mW power mode, no audio)120 VAC: 415 mA, typicalFront-End RF Filtering–3 dB at 30.5 MHz from center frequencyActive RF Gain Control31 dBAdjusts RF sensitivity to provide more RF dynamic rangeRF Sensitivity (at 20 dB SINAD)2.2 µVImage Rejection>100 dBAdjacent Channel Rejection>70 dBSquelch Threshold22 dB SINAD (±3 dB)Intermodulation Attenuation>70 dBBlocking>80 dBAudio Output Voltage (1kHz @ <1% distortion, peak power,@32Ω)100 mW per outputMinimum Load Impedance9.5ΩHigh Boostselectable: +2 dB @ 6 kHz , +4 dB @ 10 kHzVolume Limiterselectable: 3–9Reduces maxium output level. Selected value analogous to vol-ume knob increment.Net Weight200 g (with batteries)Dimensions83 mm X 65 mm X 22 mmBattery Life5–7 hours (continuous use) P9RP9TFurnished AccessoriesP9R Antenna 470–542 MHz UA700 596–692 MHz UA720 692–830 MHz UA730 830–952 MHz UA740P9T Antenna 470–530 MHz UA820G 500–560 MHz UA820G7 518–578 MHz UA820H4 578–638 MHz UA820J 638–698 MHz UA820L3 690–746MHz UA820B 740–814 MHz UA820Q 900–952 MHz UA820XFront Mount Antenna Cable 95A9023Zipper Bag 95A2313Rackmount Bracket, Long (1) 53A8612Rackmount Bracket, Short (2) 53A8611Link Bar (2) 53B8443Hardware Kit (Rackmounting Screws) 90AR8100Bumper Kit 90B8977Energy Efficient Switching Power Supply USA PS41 Brazil PS41BR Argentina PS41AR Europe PS41E United Kingdom PS41UK Austrailia/New Zealand PS41AZ China PS41CHN Taiwan PS41TW Japan PS41JOptional Accessories8-to-1 antenna combiner for better RF performance PA821SWB4-to-1 antenna combiner with power distribution to 4 transmit-ters (better RF performance and eliminates need for external power supply)PA421SWBPassive Directional Antenna PA805SWBHelical Antenna HA-8000Passive Omnidirectional Antenna PA860SWB4-Channel Personal Monitor Mixer P4MCoaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 2 ft length (0.6 m)UA802Coaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 6 ft length (2 m)UA806Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 25 ft length (7.5 m)UA825Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 50 ft length (15 m)UA850Coaxial Cable, BNC-BNC, RG213/U Type, 50 Ohm, 100 ft length (30 m)UA8100PSM900RF Carrier Range470–952 MHzNote: varies by regionCompatible FrequenciesPer band: 20Tuning BandwidthUS: 36–40 MHzvaries by regionOperating Range (environment dependent)90 m (300 ft) Audio Frequency Response35 Hz–15 kHzStereo Separation60 dBSignal-To-Noise Ratio (A-Weighted)90 dB (typical)Total Harmonic Distortion (ref. ±34 kHz deviation @1 kHz)<0.8% (typical)CompandingPatented Audio Reference CompandingSpurious Rejection (ref. 12dB SINAD)>80 dB (typical)Frequency Stability±2.5 ppmMPX Pilot Tone19 kHz (±0.3 kHz)ModulationFM*, MPX Stereo* ±34 kHz deviation (nominal)Operating Temperature-18°C–+57°CAudio InputsCombination XLR and 6.35 mm (1/4”) TRSPolarityXLR: Non-inverting (pin 2 positive with respect to pin 3)6.35 mm (1/4”) TRS: Tip positive with respect to ringConfigurationElectronically balancedImpedance70.2kΩ(actual)Nominal Input Levelswitchable: +4 dBu, –10 dBVMaximum Input Level+4 dBu: +23.3 dBu–10 dBV: +12.5 dBuPin AssignmentsXLR: 1=ground, 2=hot, 3=cold6.35 mm (1/4”) TRS: Tip=hot, Ring=cold, Sleeve=groundPhantom Power Protectionup to 60 V DCOutputs6.35 mm (1/4”) TRSConfigurationElectronically balancedImpedanceConnected directly to inputs
7CERTIFICATION P9T, P9RThis Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est con-forme à la norme NMB-003 du Canada. P9TCertified under FCC Parts 74. (FCC ID: DD4P9TA, DD4P9TB, DD4P9TC, DD4P9TD, DD4P9TJ). Certified by IC in Canada under RSS-123 and RSS-102. (IC: 616A-P9TA, 616A-P9TB, 616A-P9TC, 616A-P9TD). Meets essential re-quirements of European R&TTE Directive 99/5/EC, eligible to bear the CE mark. Type approved to EN 300 422 Parts 1 and 2. Meets requirements of EMC Standard EN 301 489 Parts 1 and 9. P9RApproved under the Declaration of Conformity (DoC) provision of FCC Part 15. Certified in Canada by IC to RSS-123. (IC: 616A-P9RA, 616A-P9RB, 616A-P9RC, 616A-P9RD). Meets re-quirements of EMC standards EN 300 422 Parts 1 and 2 and EN 301 489 Parts 1 and 9. Operation of this device is subject to the following two conditions: (1) this device may not cause in-terference, and (2) this device must accept any in-terference, including interference that may cause undesired operation of the device. The Declaration of Conformity can be obtained from Shure Incorporated or any of its European representatives. For contact information please visit www.shure.com The Declaration of Conformity can be obtained from:Authorized European representative:Shure Europe GmbHHeadquarters Europe, Middle East & AfricaDepartment: EMEA ApprovalWannenacker Str. 28D-74078 Heilbronn, GermanyPhone: +49 7131 72 14 0Fax: +49 7131 72 14 14Email: EMEAsupport@shure.deLICENSING INFORMATIONLicensing: A ministerial license to operate this equipment may be required in certain areas. Consult your national authority for possible requirements. Changes or modifications not ex-pressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of Shure wireless microphone equip-ment is the user’s responsibility, and licensability depends on the user’s classification and ap-plication, and on the selected frequency. Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licensing, and before choosing and ordering frequencies. INFORMATION TO USERThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These lim-its are designed to provide reasonable protection against harmful interference in a residential instal-lation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communica-tions. However, there is no guarantee that inter-ference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be de-termined by turning the equipment off and on, the user is encouraged to try to correct the interfer-ence by one or more of the following measures: • Relocate the receiving antenna. • Increase the separation between the equipment and receiver. • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. • Consult the dealer. Note: EMC conformance testing is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance. Changes or modifications not expressly ap-proved by the manufacturer could void the user’s authority to operate the equipment.
www.shure.com United States:Shure Incorporated5800 West Touhy AvenueNiles, IL 60714-4608 USAPhone: 847-600-2000Fax: 847-600-1212Email: info@shure.com©2009 Shure IncorporatedEurope, Middle East, Africa:Shure Europe GmbHWannenäckestr. 28,74078 Heilbronn, GermanyPhone: 49-7131-72140Fax: 49-7131-721414Email: info@shure.deAsia, Pacific:Shure Asia LimitedUnit 301, 3rd FloorCiticorp Centre18, Whitfield RoadCauseway Bay, Hong KongPhone: 852-2893-4290Fax: 852-2893-4055Email: info@shure.com.hkCanada, Latin America, Caribbean:Shure Incorporated5800 West Touhy AvenueNiles, IL 60714-4608 USAPhone: 847-600-2000Fax: 847-600-6446Email: international@shure.com

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